I am a content writer.
My screenplay, SUBVERTGATE, won first place in the detective category. Based on a page I included from my grandfather's WWI diary, I included him as co-author, posthumously. This story is modern and has flashbacks. It is available.
My second available offer is THE THRESHOLD OF MERCY with all the elements of its meaning: "spirit of the age." If you want to read content that communicates to people, you will love this screenplay. It tells of history that should never be forgotten--and then some. "Zeitgeist refers to the general cultural, intellectual, and moral climate or atmosphere of a particular era. It captures the dominant ideas, values, beliefs, and moods that characterize a specific historical period and shape the way people think and behave" (Bing.com). Ask for THE THRESHOLD OF MERCY .
I am working on two others, a feature, THE FURLOUGH, and PASSION, both stories filled with colorful ethnic content, war, and action.
PASSION is a story inspired by the real events of my life and the novel, Bird of Sorrow, by Father John Romaniello. The fictional story is that I, as my protagonist, return to Southeast Asia as a teacher. (I graduated is accurate.) This combination explains the educational intention. The story won Best Short Script (8 & Halfilm Film Festival), Honorable Mention (Fox International Film Festival), and was selected for the Red Movie Awards event inclusion.
Logline: Robbed of her epiphany-inspired teaching journal, a would-be astrophysicist turns PI, and she and her detective boss, who doubles as a special agent, fall in love. Their steamy relationship guides them through dramatic action adventures as they attempt to catch the forgers and aircraft saboteurs selling her stolen work to foreign enemy leaders.
Logline: Set at the violent crossroads of the Franco-Prussian war, this screenplay traces the forgotten origins of humanitarianism—a threshold where mercy outranks command, and a new zeitgeist is born.
Logline: Susanne Worth, a new graduate in English, gets a job teaching a writing workshop at a mission in socialist China and she has already read a 1960 book about the mission written by a priest who was expelled, but she doesn't tell anyone. Her role as the observer is narrating her story from her military family background and her experiences as a young war resister to emphasize her familiarity with the region and the situation, so viewers in a writing class also get a history lesson and vice versa.